Binta Diaw

Binta Diaw is an artist of Senegalese origin born in Milan. She is a graduate of the Accademia di belle arti di Brera di Milano in Milan and the School of Art and Design of Grenoble in France. Fueling her pursuit with influences of intersectionality and feminism, Diaw takes us on an exploration of multiple layers of identity, including her own as a black woman in a Europeanised world. Binta Diaw will participate in the next prize Reiffers Art Initiatives Group Show in May 2023.

Detail, "Paysage Corporel XIV, naitre au monde c’est concevoir (vivre) enfin le monde comme relation", Acacias Art Center, Paris

Binta Diaw, 2023

"Paysage Corporel XIV, naitre au monde c’est concevoir (vivre) enfin le monde comme relation", Acacias Art Center, Paris

Binta Diaw, 2023

"Naître au monde, c’est concevoir (vivre) enfin le monde comme relation #8", Acacias Art Center, Paris

Binta Diaw, 2023

Détail, "Naître au monde, c’est concevoir (vivre) enfin le monde comme relation #8", Acacias Art Center, Paris

Binta Diaw, 2023

"Paysage corporel I.I", Cécile Fakhoury Gallery, Dakar, Sénégal

Binta Diaw, 2021

"Paysage Corporel III", Cécile Fakhoury, Dakar, Sénégal

Binta Diaw, 2021

"Paysage Corporel II.II", Cécile Fakhoury Gallery, Dakar, Sénégal

Binta Diaw, 2021

Exhibition view "TOOLU XEER (LE CHAMPS DE PIERRE)", Cécile Fakhoury Gallery, Dakar, Sénégal

Binta Diaw, 2022

Exhibition view "TOOLU XEER (LE CHAMPS DE PIERRE)", Cécile Fakhoury Gallery, Dakar, Sénégal

Binta Diaw, 2022

Exhibition view "TOOLU XEER (LE CHAMPS DE PIERRE)", Cécile Fakhoury Gallery, Dakar, Sénégal

Binta Diaw, 2022

Exhibition view "Dïà s p o r a", Cécile Fakhoury Gallery, Abidjan, Cote d'Ivoire

Binta Diaw, 2022

Detail "Dïà s p o r a", Cécile Fakhoury Gallery, Abidjan, Cote d'Ivoire

Binta Diaw, 2022

Detail "Dïà s p o r a", Cécile Fakhoury Gallery, Abidjan, Cote d'Ivoire

Binta Diaw, 2022

Biography

The artist is renowned for a very sensitive practice exploring both ancestral and contemporary links through a wide variety of supports.
Often deployed in the form of installations of various dimensions, Binta Diaw's artistic inquiry is part of a philosophical reflection on the social phenomena that define our contemporary world, such as migration, the notion of belonging, or the question of gender. Earth, chalk, and rope, but also synthetic hair or rolled flags,
are some of the materials that form the aesthetic language of the artist. Diaw places great importance on physical and sensory experience within her work, obliging the viewer to recognise their place in the world and their experience when faced with the artwork. The artist constantly questions the dominance of a Eurocentric perspective.

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DISTINCTION - The work of this Italian artist of Senegalese origin evokes "the importance of ancestors, traditions, rituals, bodies, stories and invisible voices" by Valérie Duponchelle
— Le Figaro, 2022

"Art to aid the sick, art that listens to the sick, art that repairs, regenerates and gives hope. The Pujade-Lauraine – Carta Bianca Prize will henceforth support eight artists each year, chosen by a committee of eight Franco-Italian experts.

For its inaugural edition, the jury awarded its first prize to the Senegalese-Italian artist Binta Diaw (born in 1955 in Milan) and presented by Anissa Touati, French independent curator and archaeologist by training. Her work highlights "the importance of ancestors, traditions, rituals, bodies, stories and the voices that have been rendered invisible by writers of history." For example, her work "Diaspora" is inspired by "the practice of braiding by African women working on plantations, those who pursued marronage – the paths slaves followed to attempt escape – and whose hair would sometimes contain seeds of their homeland, carried as an act of resistance and resilience.

"I am very happy to have won a Franco-Italian prize because, in one way or another, these places are part of me and my identity," said Binta Diaw, who is also represented by the galleries Cécile Fakhoury, which recently moved to Avenue Matignon in Paris (8th), and ChertLüdde in Berlin. "It is also a human prize, as it bridges the gap between art and cancer patients, a prize that speaks of rebirth, like my work. I thank Anissa Touati with whom I look forward to collaborating on future projects, and especially Eric and Isabelle Pujade-Lauraine, for the incredible idea of supporting young contemporary artists." Binta Diaw has had solo exhibitions at the Galerie Cécile Fakhoury (Dakar, 2022 and Abidjan, 2021), at MADRE (Naples, 2022), at the Italian Cultural Institute (Paris, 2022), at MAD (Florence, 2021), and at Palazzo Grimani (Venice, 2015).